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You can use the contact form below to send any questions, comments, compliments, or complaints my way, or if you want me to listen to and write about your new album be sure to read the following before sending it.
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WHAT'S HOT TODAY!
Slower Than Slow: 16 RPM Records
Have you ever heard of a long forgotten vinyl format, the 16 2/3 RPM record? They were half the speed of the 33 1/3 RPM albums that were the traditional standard for recorded music. Most record players in the 1950s and 1960s came with a speed setting to play these long forgotten discs that were considered novelties even during the years they were available. Because most, but not all, 16s had big holes and were 7" in diameter many of them were mistaken for 45 RPMs and at that size the speed allowed for up to 20 minutes of playing time per side. However, there was no true standard size and they were also manufactured to be 9, 10, or 12 inches in diameter and these larger records played even longer. Just like the other speeds and formats 16s could be played one record at a time or stacked on a changer for continuous play. Radio stations often used the discs for pre-recorded radio shows containing interviews, dramas, and documentaries. More frequent
Why Do 45 RPM Records Have Big Holes?
Today we're going to find out why 45 RPM records have much larger holes than 78s and 33s. Believe it or not I often wondered about this burning question when I was collecting hundreds of these little seven inch gems back the 1960s. According to several websites, including Answerbag , the reason for the large hole used by 45s was simple. It was difficult for the old 78s, with their smaller holes, to find their way onto jukebox spindles. The large hole effectively eliminated that problem. Strangely, seven inch 45s were often pressed with the smaller holes used for LPs in many countries outside the United States, especially in the United Kingdom, Australia, and New Zealand. Overseas the inserts (commonly know as spiders) were manufactured into the large holes at the factories but they could be punched out if desired. The Beatles' British single of "Love Me Do," pictured here, is a typical example. Why were the spiders built into English 45s? I was unable to fi
John Mayall - The Turning Point (1969)
Here's another revised blast from the past. This post was originally published on October 1, 2009, and it serves as a tribute to British blues great, John Mayall, whose passing was announced today at the age of 90. John Mayall's most important gift to rock' n roll lies not with his own playing, singing, and songwriting but with his tremendous ability to discover outstanding talent. Among the all-stars and Hall of Famers whose careers he helped launch are Peter Green, John McVie, and Mick Fleetwood who all eventually left to organize Fleetwood Mac. Mick Taylor also left Mayall to replace Brian Jones in the Rolling Stones, and Andy Fraser started Free. His most illustrious 60s graduate, Eric Clapton, wrote on Mayall's website a while back, "John Mayall has actually run an incredibly great school for musicians." Clapton eventually left Mayall too and formed Cream with Jack
Chicago: An Album By Album Analysis Of The Terry Kath Era (1969 - 1977)
The original lineup of Chicago has always been one of my all time favorite bands. My affection for this great horn band is such that I want to discuss all of the albums they recorded before Terry Kath's unfortunate and accidental passing. Their debut album is now forty years old, and it's followup is not far behind, yet their music endures to this day. * * * * * Everyone Must Own * * * * Excellent * * * Good * * Fair * Poor * * * * * Chicago Transit Authority (1969) - Whether they were playing screaming psychedelic hard rock, jazz, blues, or love songs, everyone in the band proved they were worthy of the huge mass success that followed CTA 's release. The band's ability to play anything and play it well is the hallmark of their debut album. The stars are Robert Lamm, Terry Kath, and the horns, and even Peter Cetera demonstrates he can be a rock and roll animal when he wants to be. The standout tracks are Lamm's "Does Anybody Really Know What Time It
Buried Treasure: Gladstone - A Piece of Paper (1972)
Without expressing my views on the subject here is a rerun of a post that is quite relevant today considering the surprise leak of the controversial - but not yet officially released - Supreme Court decision overturning Roe vs. Wade. Originally published here on June 27, 2013, it has generated a higher number of comments than one of my posts usually receives. Have you ever heard of Mike Rabon? No? I didn't think so. He was the lead guitar player for The Five Americans, a band that charted five singles a long time ago. They reached the top twenty only once - in 1967 - with "Western Union," a song co-written by Rabon that is still played on oldies radio stations today. Eventually, The Five Americans went their separate ways and in the early 70s Rabon hooked up with another band, Gladstone ("From down home in Tyler, Texas U S A," their debut album cover said). From that LP the unknown group lifted "A Piece of Paper" as a single. It only got as high