Bloggerhythms

Dave Mason passed away on April 19, 2026 at age 79, and I have to admit that although I always liked his work, I really hadn't thought about him in quite a long time. That's what happens when an artist stops recording new material for almost two decades (1987-2008) and disappears from the radio. During that time, he only released four live albums. Mason only experienced modest chart success, placing just two singles in the top 40 and none after 1978. His debut LP,  Alone Together,  was his most successful, peaking at #22. Is it because he didn't fall into one of the two major rock sub-genres most British classic rockers gravitated to in the early 70s, either blues-rock or prog-rock? As a solo act he always was an outlier. Mason's first single to make the top 100 was "Only You Know and I Know" that peaked at only #42. It was lifted from his debut, a very good, middle-of-the-road record that rocks without being ...

Today I'm here to prove that when he was in the mood, Paul McCartney could challenge Robert Plant, Freddie Mercury, Roger Daltrey, Ian Gillan, Mick Jagger, Bono and others as a championship caliber rock singer and composer. A few weeks back I posted a handful of tracks that McCartney haters often cite to convince themselves that he's really nothing more than a latter-day Lawrence Welk, so today I'm giving equal time to the composer's heavier side. If you've already read my defense of the hall-of-famer's granny music it's time to read Paul McCartney: Rock 'n Roll Animal. "I'm Down," the B-side to The Beatles' single "Help" (1965) McCartney did a great Little Richard impression when he covered "Long Tall Sally" in 1964, and he was just as good when he wrote and sang "I'm Down" a year later, another obvious tribute to one of his early idols and influences. Listen to hi...

Merriam-Webster defines mojo as " a seemingly supernatural power, influence, or ability.   Mojo, the UK's excellent, popular music magazine may not have supernatural powers, but it possesses both influence and ability in abundance. The monthly publication easily keeps up with current artists and trends - this month Courtney Barnett, Mumford and Sons, and The Hold Steady are spotlighted - but the magazine has also targeted Baby Boomers ever since it hit the newsstands in 1993. That's why you see articles on The Beach Boys, Johnny Cash, The Kinks, David Bowie, NRBQ and a tribute to Bob Weir. April's cover story celebrates the 100th birthday of Miles Davis with a twelve-page spread. The entire issue is 122 pages in total, so you can see that Mojo offers their readers a lot of content. April's  Mojo Filter is "Y our guide to the month's best music."   It offers readers 147 reviews of new albums, reissues, music books ...

There's a store near me - appropriately named The Archive - that sells used books, comics, magazines, old trading cards, old post cards, records, CDs, DVDs, video games, toys, pop culture memorabilia and more. Are you looking for old Mad Magazines? They have them. Old Atari game cartridges? It's a possiblity. The place looks, feels and smells just like the musty warehouse it is, and I love it. None of The Archive's music is ever sold at collector's prices. Anyone can go in and pay a buck a piece for CDs and even their more in-demand vinyl is nicely priced. I visit there on occasion just to see what I can find. That's where I discovered the genre bending, classic album by Ray Charles, Modern Sounds in Country and Western Music ,   originally released by ABC-Paramount Records on a 12-inch LP way back in 1962 and on CD by Rhino Records in 1988 with three bonus tracks. First, a little background for those of you who are unaware of the original ...

The original Outlaws were only together for two albums: their spectacular, eponymous inaugural LP (#13) and  Lady in Waiting, their commercially less successful follow up (#36). The quintet featured three rock guitarists:  Hughie Thomasson, Billy Jones, and Henry Paul. Bassist Frank O'Keefe and drummer Monte Yoho rounded out the unit. This early lineup didn't have a keyboard player. Some reports indicate O'Keefe was fired after this LP. Others say he left because he broke his neck after falling into an empty swimming pool. He eventually became dependent on pain killers for the rest of his life that ended in 1995 after an unfortunate overdose. Lady  in Waiting is very similar to Outlaws' ten song debut. The three axmen could blow the doors down with sheer volume - as they did with "Green Grass and High Tides" from the earlier set - but their beautiful, three-part harmonies reminiscent...

Are you tired of Paul McCartney being treated as a musical wimp? The people who dislike his "granny music" - as John Lennon once called it - get stuck on an extremely small sample of the legend's tremendously huge catalog with The Beatles, Wings and as a solo artist. McCartney's granny songs didn't sound the least bit off-putting to me, possibly because - as I've mentioned here before - I grew up listening to my mother's big band records. I've always believed it was wrong that one of the most important men who helped shape rock music in the 60s was criticized for having broader tastes, and since when is writing melodies a crime? McCartney was greatly influenced by his father. Jim McCartney led his own jazz band and Paul liked what he heard. His first instrument was a trumpet given to him by his dad, but the future star traded it in for a guitar so he could sing while playing. It turned out to be a very smart move on his part. ...

Maybe I'm naive, but I've always wondered why so many musicians take up the ill-conceived lifestyle of using dangerous, mind-altering drugs. To me, their poor choices were hypocritical and in direct conflict with the important social causes many of them campaigned for on a regular basis, especially in the 1960s and 1970s when the "sex, drugs & rock n' roll" lifestyle seemed to reach epic proportions. Bonnie Raitt was among the stars who would rail against the possibility of radiation from nuclear power plants poisoning people  while voluntarily doing the same to her own body by frequently using deadly, illicit substances.  I always said to myself - but never to anyone publicly before, "Why should we listen to these celebrities on any subject - peace, civil rights, clean energy - when they're not smart enough to prevent their own personal destruction."   To m...

I'm not the least bit Irish, but I've been a fan of Celtic-rock for quite a long time now. So, to celebrate St. Patrick's Day today I'm rerunning one of my very early posts. It was originally published here on September 10, 2005. Keith Roberts and Young Dubliners offer a slick, polished, and commercial Irish-rock sound that befits their home base of Los Angeles. Their style is a complete contrast to bands such as Black 47 who flaunt their grittier New York City street image. While Larry Kirwan's band, along with The Saw Doctors, U2, and The Pogues, wear their shamrocks on their sleeves the Dubliners devotion to their roots is a little more subdued. The fact that The Dubliners are more mainstream than any of the bands mentioned above is given away by the arena rock sound of the title track as well as "Touch The Sky," and "Say It's So." There are no politics on this album, no songs ab...