Bloggerhythms

I know this may sound like a commercial, but I must tell you about a true audiophile's dream. ELP, a Japanese company, has developed a laser turntable that has no tonearm or stylus. Instead, it uses five laser beams to play your old, 45 and 33 rpm, vinyl records and even your older 10-inch, 78 rpm, shellac discs if you happen to have any. This revolutionary piece of equipment will never damage or wear out any of your records as even the most expensive, traditional, turntables do. One thousand plays later your precious 12-inchers will sound exactly the same as they did when they were first played on this unique unit unless you happen to damage one of them. Unfortunately, there is a MAJOR drawback. ELP, begins pricing at $19,000 because each turntable is custom made. This stylish machine is 100% analog .  Company founder, Sanju Chiba, believes "Analog music is more natural... it is the sound of the master tape" so there's no digital technolog...

Writing about classical music is not in my wheelhouse. I don't feel as if I'm qualified to expound on it in any great detail, and I'm including the works I like. One of them is a concert recording by Virgil Fox, a slightly eccentric church organist from New York City who made a name for himself by applying modern techniques to his live, solo performances. Older, staid, classical music purists and devoted Johann Sebastian Bach aficionados weren't always fond of Fox's interpretations of the classical composer's music. The New York Times wrote that William F. Buckley said, Fox " must have figured that it was more important to fill the house with listeners who would hear Bach for the first time than worry about those who would resolve, like me, to have heard Fox for the last time." Bach Live at the Fillmore East , Fox's live, concert album that appealed to many young progressive-rock fans was recorded on December 1, 1970 and relea...

Once again, Mike Jacoby has written all of the songs on his California band's latest release, Welcome to the Family, and once again it's a good set of rocking tunes. On this, the trio's third release, guitarist, composer and lead singer Jacoby continues to work with his solid supporting cast, Don Read on bass and drummer Mike Levin. They're three middle-aged guys who can rock 'n roll, so I don't think they'll be telling their kids to "turn it down" anytime soon. Jacoby also writes intelligent - frequently edgy lyrics - and he's not afraid to get political. That's a brave act these days because too often artists take a huge chance of alienating a good chunk of any potential audience. On the hook-filled title track he sings, "There you are – a random face. You’ve come a long way from a distant place. Look over your shoulder – keep your eyes cast down. Never assume that there’s no one around....

Due to all of the bad news of the last few years the sad events of September 11, 2001 may have receded deep into the minds of many people. But, on this twenty-fifth anniversary of the World Trade Center and Pentagon disasters - and the heroics of the passengers on United 93 - I believe it's time to discuss one of the saddest songs you'll ever hear. Seamus Kelleher was known around the Philadelphia area as an excellent rock guitarist when he was a member of the now disbanded, locally popular, Celtic-rock quintet, Blackthorn. He left the band in 2011 to pursue his own muse and released two solo albums. Both of them were favorably reviewed here . Kelleher is quite eclectic. He's versatile on both acoustic and electric guitars. Not only can he play the hard driving blues-rock of Rory Gallagher, he also covers slide guitarist Elmore James. On his second album, Another Side of Town , he gets mellow and topical with " Streets of London ," a folk song written and ...

My wife and I have been watching Turner Classic Movies more than we usually do lately. Just a few nights ago we watched Sunset Boulevard (1950) starring Gloria Swanson and William Holden. It's about a washed-up, silent screen actress, Norma Desmond - played by Swanson - who can't come to terms with the fact her career is over. She lives in a dark, fantasy world where she's still a star. A down-on-his-luck screenwriter, Joe Gillis (Holden) - whom Desmond both torments and falls in love with - tells the former star, "You used to be big." Her famous reply: "I am big. It's the pictures that got small." The film reminded me of one of the great lyrical conquests of the Classic Rock era, The Kinks' "Celluloid Heroes." It's a single from their 1972 LP,  Everybody's In Show-Biz ,   that didn't chart   but still made an impact among devoted music and movie fans. Album-oriented radio stations mostly played...

Sugarloaf was a psychedelic, jam band from Colorado fronted by leader, singer, guitarist and composer Jerry Corbetta. Corbetta co-wrote five of the six tracks on the quartet's eponymous, debut, LP that featured a 9:00 medley combining an original organ piece he helped compose with an instrumental cover of The Band's "Chest Fever." A second cover tune was also an instrumental - The Yardbirds "Train Kept a Rollin'." The album's highlight is easily the opening track, "Green-Eyed Lady," a perfect example of the psychedelic influences that embellished the records of so many bands during the highly experimental late 60s and early 70s. The song was written about Corbetta's girlfriend who his bandmates referred to as their leader's "green eyed lady." The 3:33 single was a big hit. It reached #3 on the Hot 100 while the longer, more psychedelic album track ran to 6:49. Bob Raymond's bass work ...

I know there have been too many reruns on Bloggerhythms lately, but I'm posting another one today due to the sad passing of the legendary Dolly Parton at age 80 after an unfortunate battle with cancer. This post first appeared here on October 15, 2013. Too many celebrated musicians have said goodbye to us lately. In 1987 three great female talents formed a vocal ensemble for the ages. In a true collaboration, Emmylou Harris, Dolly Parton, and Linda Ronstadt blended their voices together perfectly to record the award winning  Trio , producing beautiful, Appalachian style, three-part harmonies in the process. They created the kind of music you envision hearing in Parton's Smoky Mountains on 1940's AM radio, back when banjoes, dobroes, fiddles, and acoustic instruments ruled, back when the music was still called country and western and before it became a huge, more urban-centered business. Harris, Parton, and Ronstadt worked together without considering their own egos and t...

The review of Ruby James' first single, "Bumble Bee,"  from her new album of raucous tunes,  Call It Rock & Roll,  appeared here a few months ago. It's a loud, seven-song assault of mostly hell-raising rockers that create a lot of damage - in a good way - in just a little over twenty-four minutes. James is a diverse musical sponge. She's heavily influenced by blues, R&B, and lots of pre-70s rock all fused together into her own unique style that sounds more modern than any of her rootsy, individual influences. Highlights abound. The very funky "Boogie Downtown" was born from the singer's love of Sly and the family Stone. The heavy riffage of "Voodoo Queen" could have come from the fingers of Keith Richards. Rock veteran and close friend Rosie Flores shows off her chops on the single and two additional stinging tracks. The record's power ballad also has a very sharp edge. "Punk Rock Love Song," i...