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Showing posts from November, 2024

The Butties -12 Greatest Carols (2005)

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This is a word for word reposting of a Christmas album review originally published here on December 20, 2008 with a YouTube video added. It's for British Invasion and Beatles fans everywhere. Yesterday, while listening to Little Steven's Underground Garage on Sirius XM Satellite Radio, I was suddenly taken in by a version of "Joy To The World" that I never heard before. The song opened with John Lennon's famous harmonica introduction to The Beatles' first English #1 single, "Please Please Me," before morphing into one of the world's most famous Christmas songs. While the lyrics and melody were true to the original carol the arrangement screamed early Beatles. With my interest piqued I conducted an Internet search where I discovered, The Butties, a Beatles tribute band who released a CD, 12 Greatest Carols , in 2005. All of the songs were arranged in a way The Beatles may have recorded them. The lyrics and melody of "Let It Snow" fit ...

Laurie London - He's Got The Whole World (In His Hands) (1958)

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Today we're going to discuss an almost totally forgotten hit record along with a little bit of related Billboard chart history. The inspiration for this post came about while sorting through some extremely old 45s that I didn't remember I owned. I've had "He's Got The Whole World (In His Hands)" by Laurie London - a rare, popular, gospel hit - in my record collection since my childhood, even though it wasn't really mine. The single belonged to either my mother or my grandmother who lived with us. I played it once in awhile because I was always allowed free access to their records, and it was eventually absorbed into my collection. Despite the name, teenager Laurie London (born January 19, 1944) was a boy singer who - at age thirteen - became a one-hit wonder in his native UK and in America the following year. Information about London is sparse. Details vary depending on the particular website you're reading, but according to Wik...

Louis Armstrong - Louis In London (2024)

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Louis In London is a live album of a concert Louis Armstrong and his All-Stars recorded for the BBC on July 2, 1968. It was first aired by the network on September 22, 1968. Armstrong died in 1971 and his health was already taking a a sad turn when this concert took place. It's often been called his last great performance because his health deteriorated significantly shortly thereafter, and his ability to tour was severely limited. When the great tumpeter and singer received a tape recording of his London show he marked it "for the fans" because he was so proud of it. He also made copies on his recently installed high-end Tandberg tape system for each member of the All-Stars. In 1970, nine of the thirteen tracks from this new CD were released on LP as  Louis Armstrong's Greatest Hits Recorded Live  on Brunswick Records in both America and in the UK. The CD was digitally transfered form the original BBC telecast recording and no...

Last Albums: James Taylor - American Standard (2020)

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In 2022 I wrote a blog post on The Rolling Stones' Blue & Lonesome as part of Bloggerhythms' Last Albums series. Then Mick Jagger, Keith Richards and their friends ruined the whole thing by by releasing Hackney Diamonds two years ago. Despite that, I'm taking my chances that 76 year old James Taylor won't let me down too and release another album, even though that might not be such a bad thing. In 2020, Taylor released a set of tunes from the Great American Songbook, and it's a good one.  American Standard is a fourteen track record of cover tunes from the man who is often credited with jump-starting the entire 70s singer-songwriter movement. Taylor is no stranger to covers. Even though he's a songwriter of great importance he's recorded many singles written by others, most notably, Carole King's "You've Got A Friend," his only Billboard #1 hit from very early in his career. He also charted with "How S...

Howlin' Wolf - The London Howlin' Wolf Sessions (1971)

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Many blues purists site a lack of authenticity as a reason to dismiss an artist's work but I refuse to participate in such snobbery. If performed well a hybrid arrangement adds unique freshness to an old piece of music. The fact that the great blues singer, composer, and guitarist Chester Burnett (a.k.a Howlin' Wolf ) flew to London in 1970 to record with a few of the hottest British Invasion all-stars of the day - most of them heavily influenced by the blues - shouldn't make the music any less compelling. The participants on The London Howlin' Wolf Sessions include Eric Clapton on lead guitar, Steve Winwood on piano and organ, and three men with Rolling Stones connections: bassist Bill Wyman, drummer Charlie Watts, and pre-worldwide fame Stones' pianist,  Ian Stewart .  Hubert Sumlin - Wolf's devoted longtime sideman - provided rhythm guitar throughout these sessions. Even Ringo Starr proved he could play the blues on one tra...