Last Albums: James Taylor - American Standard (2020)
In 2022 I wrote a blog post on The Rolling Stones'
Blue & Lonesome
as part of Bloggerhythms'
Last Albums
series. Then Mick Jagger, Keith Richards and their friends ruined the whole
thing by by releasing
Hackney Diamonds two years ago. Despite that, I'm taking my chances that
76 year old James Taylor won't let me down too and release another album, even
though that might not be such a bad thing.
In 2020, Taylor released a set of tunes from the Great American
Songbook, and it's a good one. American Standard is a fourteen
track record of cover tunes from the man who is often credited with
jump-starting the entire 70s singer-songwriter movement.
Taylor is no stranger to covers. Even though he's a songwriter of great
importance he's recorded many singles written by others, most notably, Carole
King's "You've Got A Friend," his only Billboard #1 hit from very early in
his career. He also charted with "How Sweet It Is," "Handy Man," "Honey, Don't
Leave L.A.," "Up On The Roof," and "Everyday." They're from a wide range of
influential artists and composers, including Holland-Dozier-Holland and Buddy
Holly. He also released a whole album of other people's songs in 2008, simply
naming it Covers. He turned them all into JT songs.
On American Standard Taylor reaches back even farther by mining the
Great American Songbook, but he's shunned the ususal big band arrangements and
orchestras with string sections, again remaining true to the "James Taylor
Sound." As always, his laid back arrangements incorporated everything from
folk to light jazz.
These are songs our parents and grandparents loved, including "My Blue
Heaven," "Moon River," "The Nearness Of You," and "It's Only A Paper Moon."
Taylor even interprets two works from Rogers and Hammerstein musicals: "Surrey
With A Fringe On Top" from Oklahoma and "You've Got To Be Carefully
Taught" from South Pacific. He also reworks George Gershwin's "Ol' Man
River" from the late, great composer's opera, Porgy and Bess.
The only question mark is the star's interpretation of Billie Holiday's "God Bless The
Child." While Taylor's version isn't a failure his voice just doesn't seem to
possess a enough grit and soulfulness to pull it off.
There are a lot of renowned musicians on the album, including all-star Jerry Douglas on
dobro, Lou Marini on woodwinds, percussionist Luis Conte and Steve Gadd on
drums. Jazz guitarist John Pizzarelli co-produced the record with Taylor.
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Last Albums discusses music that was recorded as new material and intended to be released to the public as a complete album but not necessarily the last one. Live albums, greatest hits or "best of" collections and compilations do not count, nor do posthumous releases of leftover tracks cobbled together to make a final album.
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