Rosie & The Riveters - Ms. Behave (2018)
There are times when the Internet is really cool. A few weeks back while doing
research for my blog post on
Ashleigh Flynn & The Riveters
I accidently discovered a vocal group, Rosie & the Riveters, an even
better outfit of talented women with a similar name but with a unique musical
perspective.
By now most people know the story of Rosie the Riveter so there is no need to
go into it again here, so we'll just carry on with the music.
Ms. Behave (2018) is the singers' second album but their first as
a trio - their earlier set from 2015 was released as a quartet.
Farideh Olsen, Allyson Reigh, and Alexis Normand were the Riveters and there
was no one in the group named Rosie. I wrote that sentence in the past tense
because Ms. Reigh unfortunately informed me that as of August of 2020 the
group amicably disbanded.
The Riveters hail from Saskatchewan and their sound can best be described as a
modern version of The Andrews Sisters, but don't let the perfect harmonies
fool you. This is not your grandmother's girl group because there is a
definite feminist outlook to most of their work. There is "Ask A Man," a song
about the notion that a woman needs a man to tell her how to live and "I Wanna
Get Paid" - about pay inequity, of course - plus one that is definitely inspired by the #MeToo movement with a
title ("I Believe You") that says tells you exactly what it's about.
If you've ever listened to The Beatles' "Maxwell's Silver Hammer," a Paul
McCartney track from Abbey Road and get the joke you'll understand
what The Riveters are about. The cute Beatle's bubblegummy arrangement may
fool you into thinking that "Maxwell" is more of McCartney's "granny music"
(as John Lennon called it) but the lyrics are about a serial killer. The
Canadian women wrote nothing that violent but the point is that if you
listen to Ms. Behave superficially what you'll hear is not
necessarily what you'll find when you listen intently to the
lyrics.
Not every track is topical. "I Wanna Do Nothing With You" is a love song
with strings.
Olsen, Reigh and Normand covered all kinds of musical ground. There is
old-fashioned swing, the sound of Phil Spector's girl groups without his
wall of sound, plus a little country and rock.
It's sad to hear a record as rewarding and exciting as this one while
knowing there won't be any new music coming from these talented singers,
composers and musicians at anytime in the future..
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