Paul McCartney: Rock 'n Roll Animal
Today I'm here to prove that when he was in the mood, Paul McCartney could challenge Robert Plant, Freddie Mercury, Roger Daltrey, Ian Gillan, Mick Jagger, Bono and others as a championship caliber rock singer and composer. A few weeks back I posted a handful of tracks that McCartney haters
often cite to convince themselves that he's really nothing more than a latter-day Lawrence
Welk, so today I'm giving equal time to the composer's heavier side. If you've already read
my defense of the hall-of-famer's granny music
it's time to read Paul McCartney: Rock 'n Roll Animal.
"Drive My Car," from Rubber Soul (1965) "Drive My Car" isn't nearly as ear-splitting as some other rock songs, but it has clever, subtle, dirty lyrics unlike any other Beatles song, and that's enough to
make it one of my favorite Fab Four rockers. McCartney had the
basic song written, but John Lennon came up with a new lyrical theme because both songwriters hated the lines Paul had already written. According to his biographer, Barry Miles, Paul said that
"Drive my car was an old blues euphemism for sex." His earthy lead vocal and Ringo Starr's cowbell help make this edgy rocker a perfect opening to an absolutely wonderful
album.
"Helter Skelter" from The Beatles (aka The White Album)
(1968)
"Twenty Fight Rock" - Paul McCartney, from Choba B CCCP (1988) This deep track takes McCartney back to his roots, and it should have special
significance for him. It's the 1957 Eddie Cochran hit that McCartney - then
only 15 - played to impress John Lennon on the day they first met at St.
Peter's Church in Liverpool on July 6th of that year. It quickly led to his invitation
to join the Quarrymen. The album's title translates as Back in the USSR in Russian, and
it was originally released only in that country. It's a covers album that is not
one of his finer efforts, but I figured if you've never heard this important song in Beatles history you might
want to listen to it now. If you don't believe playing rockabilly qualifies someone as a rock 'n roll animal you need to check out most of Brian Setzer's repertiore and this from Robert Plant.
"I'm Down," the B-side to The Beatles' single "Help" (1965)
McCartney did a great Little Richard impression when he covered "Long Tall
Sally" in 1964, and he was just as good when he wrote and sang "I'm Down" a
year later, another obvious tribute to one of his early idols and
influences. Listen to his maniacal screams at 1:52 and 2:08 as proof. An
unrelated highlight of this deep track is John Lennon emulating Jerry Lee
Lewis playing a Vox Continental organ solo with his elbow just like The
Killer did.
No, The Beatles didn't invent heavy metal when this song appeared on
their brilliant double set as some people claim, and McCartney's lyrics
about a popular British carnival ride NEVER EVER suggest that cult
members should perform mass murder on behalf of their psychotic leader.
Inspired by The Who's "I Can See for Miles" McCartney composed what is easily the raunchiest track in the quartet's catalog. (Take that, John
Lennon.) Once listeners get over the initial shock that this is a McCartney piece of work, rock fans should realize how eclectic of a composer and performer
he truly is. Two extreme sides of the elite bassist's personality are on full display on this album because
he placed "Honey Pie" on the same release. Listen to Ringo Starr yell "I've got blisters on my fingers" at the very end.
"Junior's Farm" - Wings, Non - LP, 45 rpm, single (1974) This rockin' record peaked at #3 on the US hot 100 and #16 in the
UK. It's about getting away from The Beatles and their fatal business
dealings by just kicking back and relaxing at his Scottish farm with Linda
and his family and was inspired by Bob Dylan's "Maggie's Farm." McCartney
said the lyrics are silly and interpreters shouldn't try to find any
hidden or deep meaning in them. That's fine, because I've never really
paid attention to the words anyway. The fact that this big hit rocks hard
was always good enough for me. Jimmy McCulloch played lead guitar and Denny Laine handled rhythm
while their leader once again supplied some excellent bass work.
Glad to see "I'm Down" here. I got up at 6 in the morning the day in 1965 that the new Beatles single "Help!" was scheduled to debut on AM radios everywhere. I liked it, groggily, well enough, but it was the B-side that really woke me up!
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