Buried Treasure: Tom Waits and Crystal Gayle - One From The Heart (1982)


Roger Ebert memorably described One From The Heart, Francis Ford Coppola's 1982 flop as “a major disappointment" saying the director had released “an interesting production but not a good movie." In addition, according to Wikipedia, the film was "a colossal critical and commercial flop." I've never seen it so I'll just have to take everyone's word that the movie deserved its fate. 

Fortunately, the same can not be said about the accompanying soundtrack album that was entirely written and performed by Tom Waits and featured Crystal Gayle as his guest vocalist. He invited the country star to sing on the soundtrack after his first choice, Bette Midler, was unable to participate due to scheduling conflicts. After Midler declined Waits' offer, he heard Gayle sing "Cry Me A River" on the radio, and the job was hers.

My copy of the album is on an old bootlegged, twelve-song cassette that I just transferred to CD using my home stereo system. Then I burned it to iTunes so I can sync it to my ipod. It has a slightly different song selection and sequence order than the official release. I never replaced it because the Columbia Records version included additional instrumental selections that seemed incidental to the rest of the music, and I preferred the cassette's running order.

There are twelve tracks. Four are duets. Gayle stars as a soloist on three more and the rest are all Waits - including the instrumental, "Tango."

Most of the set is typical of Waits. The songs make the listener believe they're in a seedy, underground, smoke filled bar with a trying-to-smile Humphrey Bogart downing a whiskey with a woman he both loves and loathes at the same time.

Gayle proved she is a surprisingly effective jazz singer. "Picking Up After You" is one of the best duets to ever come from such an unlikely pairing. No, let me correct that. The song ranks up there as one of the all-time great duets by any anyone, anywhere, anytime, any genre. It includes a wonderful, soulful trumpet solo from Jack Sheldon who also stars on several other tracks.

Gayle's "Old Boyfriends" is a winner too. It's an emotional torch song that is far removed from her best known country hit, "Don't It Make Your Brown Eyes Blue."

Waits shows off his out-of-the-mainstream personality on the almost spoken word "Can't Unring a Bell" by using bass and tympani as the only instrumental accompaniment.

Other highlights include Gayle on "Is there Any Way Out of This Dream," and Waits on "I Beg Your Pardon" and "Broken Bicycles."

The set was produced by longtime Waits associate Bones Howe and also features tenor saxophonist Teddy Edwards, drummer Shelly Mann, and Greg Cohen on bass. In addition to vocals, Waits played piano and helped with the string arrangements.

Don't file this record under "Soundtracks" because it really is a Waits album from start to finish. Gayle's superb vocal contributions are just icing on the cake.

Comments

  1. William Kates5:37 PM, April 01, 2022

    Thanks for shining a light on this wonderful album.

    Don't be too quick to write off the movie. Just because the audience and the reviewers didn't get it at the time of release doesn't mean it was a dud necessarily. I won't turn this into a review, but if you're looking for a movie about guy has girl, guy loses girl, guy gets girl back, there are literally tons of movies that do that. Think of One From the Heart as a long music video and that may get you started. Tom Waits outdid himself composing this soundtrack and he sounds more like Louis Armstrong, to boot. This movie will touch your heart, if you let it.

    ReplyDelete
  2. whiteray12:57 AM, April 12, 2022

    The classic track for me is "Take Me Home." Never fails to get me.

    ReplyDelete

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