Below is one of the first five CD reviews to ever appear on Bloggerhythms. It was posted almost twenty years ago, and it's being revived now because of the sad news Brian Setzer wrote on his Facebookpage on February 13, 2025.
"Hi everybody, I just wanted to check in with you all. Towards the end of the last Stray Cats tour I noticed that my hands were cramping up. I’ve since discovered that I have an auto-immune disease. I cannot play guitar. There is no pain, but it feels like I am wearing a pair of gloves when I try to play. I have seen some progress in that I can hold a pen and tie my shoes. I know this sounds ridiculous, but I was at a point where I couldn’t even do that. Luckily, I have the best hospital in the world down the block from me. It’s called the Mayo Clinic. I know I will beat this, it will just take some time. I love you all, Brian."
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On Vavoom!, Brian Setzer's fourth orchestra release, the former leader
of The Stray Cats really takes you back in time - to pre-American involvement in
World War Two - covering Glenn Miller's "Pennsylvania 6-5000" and "In The Mood,"
both featuring his trademark large horn band and furious, rockabilly guitar.
The guitarist and bandleader completely reinvented these classics. He modernized "Pennsylvania"
by adding electronic effects and the original lyrics to a song that was a comparatively tame instrumental hit for Miller, and by doing so he almost turned it into an entirely new work. The arrangement catches fire immediately, opening the proceedings with
the best thirty second introduction to an album I've heard in years. Setzer
keeps the flames burning in a way that would have sent Miller running for
cover. The same can be said for "In The Mood."
Duke Ellington's "Caravan" is also given a new rock treatment.
The only misfire on the entire set is "Mack The Knife." While there really
isn't anything wrong with Setzer's version it is way too close to Bobby
Darin's famous, 1959 hit single for him to have bothered.
The leader's vocals, as usual, complement his greaser big band perfectly. He
really could have been a lounge singer if he wanted to pursue that road.
Have you ever heard of a long forgotten vinyl format, the 16 2/3 RPM record? They were half the speed of the 33 1/3 RPM albums that were the traditional standard for recorded music. Most record players in the 1950s and 1960s came with a speed setting to play these long forgotten discs that were considered novelties even during the years they were available. Because most, but not all, 16s had big holes and were 7" in diameter many of them were mistaken for 45 RPMs and at that size the speed allowed for up to 20 minutes of playing time per side. However, there was no true standard size and they were also manufactured to be 9, 10, or 12 inches in diameter, and these larger records played even longer. Just like the other speeds and formats 16s could be played one record at a time or stacked on a changer for continuous play. Radio stations often used the discs for pre-recorded radio shows containing interviews, dramas, and documentaries. More frequen...
Yes, "Maxwell's Silver Hammer" from Abbey Road (1969) is pure "granny music," as John Lennon called it, but that was part of Paul McCartney's intended joke. Here we have this silly sounding, almost kiddie-like arrangement, combined with the most perverted and darkest lyrics that a Beatle ever wrote for the group. As most people know, the track tells the tale of Maxwell Edison, a serial killer. I was 16 when the song came out and I immediately got the joke and the incongruity of it all. Maybe the absurdity of marrying the goofy arrangement with the sinister lyrics is why McCartney mentions pataphysical science in the song's first verse. As it turns out - according to Oxford Reference - Pataphysics is "the science of imaginary solutions" invented by French writer Alfred Jarry (1873–1907). Was "Maxwell" a parody as well, and does it really belong on a record inten...
For St. Patrick's Day here is a rerun of a post from 2012 about one of the great Celtic-rock albums of all time. ☘️ ☘️ ☘️ ☘️ Until "Death to My Hometown" - the very Irish flavored track from Bruce Springsteen's Wrecking Ball - you could say that he sounded nothing like The Pogues . I'm sure The Boss didn't have that great Celtic-rock band in mind when he wrote and recorded the song but its resemblance in spirit, if not in sound, to Shane McGowan’s famous group is uncanny. The folk-punkers do what Springsteen has always done so well over the years and that's what makes The Pogues third CD, If I Should Fall From Grace With God , (1987) one of the outstanding Celtic-rock sets of all time. This Emerald Isle classic is traditional in a lot of ways. It's full of tin whistles, acoustic guitars, banjos, and accordions. Also, McGowan's long history with drugs and alcohol that resulted in his firing from the band just a couple of years after...
In a July 2023 blog post I discussed an alternate history of the most famous rock band of all time. It's Real Life: An Alternate History Of The Beatles was written in 2022 as a short story and radio play by Professor Paul Levinson of Fordham University. Since then, the author has expanded it into a full length novel that includes his original story as chapter one. Below my original post you'll find a link to a fascinating podcast where Levinson discussed his book with NBC's Chuck Todd followed by an intriguing email question and answer session that Levinson graciously gave to Bloggerhythms. _______________________________________ In 2005, novelist, playwright and rock musician, Larry Kirwan - best known as the leader of New York City's renowned Celtic-rock band, Black 47 - used his vivid imagination to write Liverpool Fantasy , a novel about what could have happened to each of the four Beatles if they hadn't hit the ...
Growing up listening to my Mom's 78s made it easy for me to like Paul McCartney's excursions into what John Lennon often referred to as his " granny music. " Despite his semi-frequent visits to the sounds of his father's generation anyone who believes that McCartney can't rock is flat out wrong, and One Hand Clapping - Wings' live, in the studio, double album - proves it. These sessions were recorded over four days at Abbey Road studios while Band on the Run was riding high on the charts. They were slated to be released as a documentary with an accompanying LP, but neither officially happened. Some tracks turned up later on bootlegs and a few others were included on repackaged McCartney records, but 2024 was the first time they were released together as a complete set. McCartney, his wife Linda, and Denny Laine were the only permanent members of Wings. The other seats were filled by an ever-changing cast, and for these sessions...
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