Buried Treasure: Young Dubliners - Real World (2005)
I'm not the least bit Irish, but I've been a fan of Celtic-rock for quite a
long time now. So, to celebrate St. Patrick's Day today I'm rerunning one of my very early posts. It was originally published here on September 10, 2005.
Keith Roberts and Young Dubliners offer a slick, polished, and
commercial Irish-rock sound that befits their home base of Los Angeles. Their
style is a complete contrast to bands such as Black 47 who flaunt their
grittier New York City street image. While Larry Kirwan's band, along with The
Saw Doctors, U2, and The Pogues, wear their shamrocks on their sleeves the
Dubliners devotion to their roots is a little more subdued.
The fact that The Dubliners are more mainstream than any of the bands
mentioned above is given away by the arena rock sound of the title track
as well as "Touch The Sky," and "Say It's So." There are no politics on
this album, no songs about rebellion, and nary a word that should upset
anyone. "Please" is a love song that could be a hit on commercial FM radio
and "Evermore," is a song about the singer's little girl, a subject that
normally makes me cringe yet Roberts somehow manages to avoid the
sappiness that is routine in most songs of its ilk.
The standard rock keyboards, guitars, and drums are often accompanied by
flutes, tin whistles, and fiddles which are the tipoff that this is an
Irish-rock band because the lyrics seldom let you know this fact. The most
Irish track on the album is the high octane, traditional Irish tune "Waxies
Dargle." There's an instrumental, "Banshee," that features some flute work by Ian Anderson.
I like Real World and you may too if you want to hear Celtic-rock
without much of its harder edged subject matter.
Sounds interesting. I'm kicking myself now for not recording their WXPN Free-at-Noon concert several months ago; maybe someday it will get repeated.
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