How Can Anyone (Especially Women) Listen To This?

Every once in awhile I acquire an urge to go on a rant regarding something that incenses me about music. Once or twice before I used this space to vent and stirred up some unfortunate, nasty comments, enough to make me say, "never again."  However, Compton, Dr. Dre's new, soundtrack CD to the movie Straight Out Of Compton, has set me off again.

First, I have to admit that I have not listened to a single note of Dre's comeback album so I know some people will wonder how I'm qualified to write about something I've never heard. Normally, I would say these folks have a valid point, but I've heard enough rap and hip-hop in my life to know that it's a hideous sounding blight upon humanity that makes my ears bleed. I have no reason to believe Compton sounds any different from all the ultra-profanity laced gangsta rap that came before it but today I'm more concerned with the genre's lyrics.

This past Sunday, Dan DeLuca, music critic of the The Philadelphia Inquirer, wrote a review of Dre's unfortunate new release.  Almost as an afterthought he very briefly touches on two terribly troubling songs at the end of his article after highly praising the album in a lengthy discourse. First, in a guest appearance on "Medicine Man," Eminem brags about his skills as a rapist and on "Loose Cannon" a woman pleads for her life before being shot to death. DeLuca writes, "Really? Who thought that was a good idea? It's an ugly blot on an otherwise almost wholly impressive return by a hip-hop titan" and I must say to DeLuca, "Really, you listen to this garbage?"

Dr. Dre is a very wealthy man. People, ladies especially, why do you help make these entertainers rich?  Why do you find rap music so alluring?

I know 60s and 70s classic rock was not without its misogynistic, violent, and drugged out moments, but no artists have obsessively embraced violence as proudly and as matter-of-factly as the perpetrators of hip-hop culture.

Here is Mr. DeLuca's complete review as reprinted in The Detroit News.

Comments

  1. Todd Mason7:12 PM, August 27, 2015

    You over-tar. There are lots of non-machismic rappers, including those I highlighted on my blog a bit back in July, and vast numbers more. Sure, plenty of boneheads...the ones we hear the most about, of course, being the ones selling to suburban disposable income folks, mostly of European extraction...and all ages...etc. I don't bother with anything "99 Problems" on over, myself.

    ReplyDelete

Post a Comment

WHAT'S HOT TODAY!

Slower Than Slow: 16 RPM Records

Image
Have you ever heard of a long forgotten vinyl format, the 16 2/3 RPM record? They were half the speed of the 33 1/3 RPM albums that were the traditional standard for recorded music. Most record players in the 1950s and 1960s came with a speed setting to play these long forgotten discs that were considered novelties even during the years they were available. Because most, but not all, 16s had big holes and were 7" in diameter many of them were mistaken for 45 RPMs and at that size the speed allowed for up to 20 minutes of playing time per side. However, there was no true standard size and they were also manufactured to be 9, 10, or 12 inches in diameter, and these larger records played even longer. Just like the other speeds and formats 16s could be played one record at a time or stacked on a changer for continuous play. Radio stations often used the discs for pre-recorded radio shows containing interviews, dramas, and documentaries. More frequen...
Read more

The Band - Christmas Must Be Tonight (1977)

Image
In 2006 Hall and Oates released Home For Christmas , their one and only holiday album, an extremely good set of music that immediately became one of my favorite seasonal listens. I wrote then that I was stunned at how many overtly religious songs the famous duo put on the the disc considering the very politically correct climate of the new millennium. One of them was a cover version of a song that alluded me for almost thirty years, "Christmas Must Be Tonight." I liked the new, upbeat track sung by Daryl Hall and it made me go out and search for Robbie Robertson's never-to-be classic. Sung by Rick Danko, it appears on the great American band's last album, Islands (1977). It's a surprise that a group whose members were not known to have any specific or powerfully strong religious beliefs would release a song that tackled the subject of Jesus's birth as blatantly as our most loved Christmas carols. It's not about a reckless reinde...
Read more

Chicago: An Album By Album Analysis Of The Terry Kath Era (1969 - 1977)

Image
The original lineup of Chicago has always been one of my all time favorite bands. My affection for this great horn band is such that I want to discuss all of the albums they recorded before Terry Kath's unfortunate and accidental passing. Their debut album is now forty years old, and it's followup is not far behind, yet their music endures to this day. * * * * * Everyone Must Own * * * * Excellent * * * Good * * Fair * Poor * * * * * Chicago Transit Authority (1969) - Whether they were playing screaming psychedelic hard rock, jazz, blues, or love songs, everyone in the band proved they were worthy of the huge mass success that followed CTA 's release. The band's ability to play anything and play it well is the hallmark of their debut album. The stars are Robert Lamm, Terry Kath, and the horns, and even Peter Cetera demonstrates he can be a rock and roll animal when he wants to be. The standout tracks are Lamm's "Does Anybody Really Know What Time It...
Read more

The Beatles - Christmas Messages (1963 - 1969)

Image
For seven straight years beginning in 1963 - even before they were famous in America - The Beatles recorded annual Christmas messages exclusively for their fan club members as a holiday thank you. They were issued on seven-inch, vinyl records that were very thin, very bendable, and easily damaged. These flexi-discs, as they were called, could not be stacked on record changers. Over the years the tracks have been bootlegged in countless ways, and until a few years ago the only legal release was sent to fan club members in 1970 on 33 RPM vinyl records after the boys from Liverpool went their separate ways. The LP cover shown here is from that album. Finally, in 2017, a limited edition box set  on colored vinyl was released and is now an expensive collector's item. Many Beatles fans managed to hear these records over the years, and with the Internet being what it is, there are several websites where anyone can easily listen to all of them.  Archive.org ...
Read more

The Chieftains With Jackson Browne - The Rebel Jesus (1991)

Image
"The Rebel Jesus" is a Christmas song composed by Jackson Browne and performed with The Chieftains, the eclectic, veteran Irish folk band on  The Bells of Dublin,  their 1991 holiday album. Browne wrote the song specifically for his guest appearance on this record. The singer-songwriter, who is deservedly in the Rock and Roll Hall of Fame, can be a bit preachy when he wants to be, and he is again here, but no one can dispute what the man is saying.  The last two verses are the key to the song. Browne points out that people often feel more generous at Christmas so they'll give to those who were less fortunate than themselves during the holidays. But, if anyone tries to dig deeper and root out the poverty that envelops the downtrodden they are often scorned like Jesus was. This message is coming from a man who is admittedly a "heathen and a pagan," but on this occasion he is "on the side of the rebel Jesus." At the same time Browne doesn't want to sp...
Read more