The original album had only five tracks yet clocks in at over thirty-eight minutes, a good length for the days of the old 33 1/3 RPM record, but it would be considered quite short today. In order to make it all fit on one LP over 40 minutes of music was edited from the original sessions. One example is the title cut. It was faded at 8:46 on the album but the full performance stretched out to 18:49. Apparently there are bootlegs available with all five sessions in their entirety plus two more very lengthy ones no one ever heard.
Hendrix is sensational on this album. Most of his playing is high energy, sometimes bordering on frantic. The best jams are the title cut in which a mean bass riff never relents under Hendrix's manic improvisation and a track simply titled "Young/Hendrix Jam," which runs for 10:22. The latter features some great interplay with Larry Young, a jazz organist who played with Miles Davis on Bitches Brew. Hendrix is a little more subdued here allowing Young to share much of the spotlight with him.
I'm guessing that these pieces were not meant for release. Two of them don't even have legitimate titles such as the session with Young and another simply titled "Jimi/Jimmy Jam" for his duet with guitarist Jim McCartey.
Other guests include drummer Buddy Miles and Mitch Mitchell, Hendrix's former drummer with the Experience.
Nine To The Universe is easily my favorite Hendrix album.